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Adobe Photoshop CS/CS2 Breakthroughs by David Blatner PDF

By David Blatner

ISBN-10: 0321334108

ISBN-13: 9780321334107

Adobe Photoshop is typical electronic picture software program and clients are hungry for suggestions to their myriad matters - from how top to regulate the program's occasionally unwieldy interface to the right way to use the hot Vanishing element instrument. Photoshop guru David Blatner has scoured the web boards, interviewed Adobe engineers, and collected jointly solutions to over two hundred of the most-commonly requested questions. Written in a sassy, fun-to-read kind, this publication tackles each significant Photoshop challenge with a lay-it-on-the-line resolution. Adobe Photoshop CS/CS2 Breakthroughs is for someone who has been utilizing Photoshop lengthy adequate to achieve that the answer to their difficulties isn't as visible as one may count on.

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2. Open the color negative scan in Photoshop and choose Image > Adjustments > Invert. 8). 8. Original color negative (top), and after inverting (bottom). 45 46 3. 9). 9. The Levels dialog box (top), the Auto Color Corrections Options dialog box (center) opened by the Options button, and the resulting image. 46 47 47 48 4. In the Auto Color Correction Options dialog box, click Find Dark & Light Colors and Snap Neutral Midtones. If the color balance is unrealistic, disable Snap Neutral Midtones and try different options in the Algorithms section.

Brightness is nothing like the Brightness control in Photoshop, so you don't have to be afraid of it. Brightness actually sets the image's midtone for the conversion. Always get Exposure and Shadows right before adjusting Brightness. 38 39 • Contrast is not as destructive as the Contrast control in Photoshop, so it's really not scary either. In Photoshop, contrast pushes tones apart and lets them clip. In Camera Raw, Contrast applies an S-curve around the midtone you set using Brightness. While the S-curve doesn't clip tones, if you turn it up too high it can still push midtones too far into the harder-to-reproduce highlights and shadows.

Like car dashboards, scanning controls may seem to vary across different scanning programs, but they usually work the same way. Whichever scanning software you use, the most important steps in relation to Photoshop are these: 1. Don't scan without first using the Preview button in the scanning software to help determine what scan settings to use. 2. Crop unneeded areas to scan faster and use less disk space. You can rotate and flip if you want, but you can do that in Photoshop too. 3. Set the resolution and dimensions based on your final output.

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Adobe Photoshop CS/CS2 Breakthroughs by David Blatner

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