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Download PDF by David D. Busch: Adobe Photoshop CS: Photographers' Guide

By David D. Busch

ISBN-10: 1598634003

ISBN-13: 9781598634006

Images and Photoshop move hand in hand. for those who suppose there is not adequate images within the ordinary Photoshop ebook, and there is not adequate Photoshop within the normal images e-book, then the publication you are looking for is true on your fingers. no matter if you're a electronic or traditional digital camera buff, this full-color ebook is definitely the right advisor for diving into an important parts of Photoshop CS. research Photoshop from a photographer's point of view and the best way to fine-tune your photographs as you remodel them from quickly snapshots into really compelling photographs.

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Extra resources for Adobe Photoshop CS: Photographers' Guide

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On the plus side, I managed front row seats next to the dugout on the first base side for this professional baseball game, and I was armed with an awesome 14-megapixel pro-level digital camera. Unfortunately, when the action started, I had a 28mm non-zoom lens mounted on the camera (the equivalent of a 45mm normal lens for this particular model). So, I ended up with a "big picture" view that took in most of the infield and rendered the players a lot smaller than I would have liked. 16. A great seat and a short lens provide this "big picture" view.

38 39 4. With the circular section still selected, copy the selection and paste onto a new layer (press Ctrl/Command + C to copy and Ctrl/Command + V to paste). 5. Use Image > Adjustments > Brightness/Contrast and move the brightness and contrast sliders each to the right to lighten the fisheye view and increase its contrast. 6. Use Filter > Sharpen > Unsharp Mask to sharpen up the fisheye view a bit. 7. Choose Layer > Layer Style > Outer Glow to add an eerie glowing effect around your fisheye view, making it look a bit like a crystal ball.

Zoom lenses or any lens with many, many elements, as well as lenses with very large front surfaces are virtual magnets for image-obscuring stray light. With some lenses and certain shooting environments, flare is almost unavoidable. That may be why so many photographers have decided to grin and bear it by incorporating lens flare into their pictures as a creative element. Photoshop lets you put the lens flare exactly where you want it, with precisely the degree of flare that you desire. The algorithm the program uses is based on one developed by original Photoshop developer and Industrial Light and Magic guru John Knoll for his utility FlareMaker.

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Adobe Photoshop CS: Photographers' Guide by David D. Busch


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